hitagi (ani.social)

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  • 16 Posts
  • 75 Comments
Joined 1 year ago
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Cake day: June 21st, 2023

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  • This Lemmy instance is much harder to maintain due to the fact that I can’t tell what images get uploaded here, which means anyone can use this as a free image host for illegal shit, and the fact that there’s no user list that I can easily see. Moderation tools are nonexistent on here.

    0.19.4 provides a way to see uploaded images (although not the best) but this version was only recently released so I can see where the frustration is coming from especially since the CSAM attacks happened nearly a year ago. At the time, I had to make a copy of pictrs, view everything on a file manager, and manually remove those images. People can still upload images without anyone seeing it however.

    It also eats up storage like crazy due to the fact that it rapidly caches images from scraped URLs and the few remaining instances that we still federate with.

    This was fixed in 0.19.3 (released 7 months ago) where you can disable image “caching”. This has solved storage costs for us together with pictrs’ image processing.

    plug in an expensive AI image checker to scan for illegal imagery

    It’s unfortunate that we need this. Not everybody has the resources to run fedisafety nor does everyone live in USA where they can use Cloudflare’s CSAM scanner. I think a good way to deal with the issue is to have images that are not public, not be stored (or have no private images at all). This way images can be easily reported.

    Overall, I understand the frustration and to some degree I also feel the same but I also limit my expectations considering the nature of the project.















  • I have only one more movie left to watch from Satoshi Kon. I’ve seen all of his other works. The most recent one being Tokyo Godfathers which steered a bit away from what we normally see from Kon. This one is probably the most “normal” of his works but I guess the charm of it comes from its characters (a runaway child, an alcoholic man, a transgender woman) all of whom are homeless appearing to be like a nuclear family. It’s pretty rare to see such characters in a more grounded Tokyo in the anime medium but they aren’t accurate depictions of homelessness either, nor did that seem to be the point of the movie. I also liked how pieces of Paranoia Agent are visible here (or the other way around).

    I’m excited to watch Paprika later today or this week. That should wrap up my Satoshi Kon viewing experience. After that, I’m not sure if I should also complete the works of other anime directors. Maybe Hideaki Anno next?